ce ascultati chiar acum?

Abnormyndeffect - Betwin [2008]
un death metal experimental si cu versuri inteligibile, destul de original pentru spatiul Romano-Basarabean.

Future Sound of London & Robert Fripp - Essential Mix [1994]
si acum sa vad care stia de aceasta colaborare?

H to He a scris:

Future Sound of London & Robert Fripp - Essential Mix [1994]
si acum sa vad care stia de aceasta colaborare?

Jos palaria, n-am stiut.


Beardfish - The Sane Day
Miles Davis - Blue Moods & Basic Miles
Frank Zappa - Cruising With Ruben & The Jets
Citta Frontale - El Tor

nu este un album ci o inregistrare a unui show de 2 ore la radio, care a ajuns si la un colectionar avid. Chitara lui Fripp se aude rar, mai pregnant in piesa Part 5 din ce-am remarcat eu.

Ricochet a scris:

H to He a scris:

Future Sound of London & Robert Fripp - Essential Mix [1994]
si acum sa vad care stia de aceasta colaborare?

Jos palaria, n-am stiut.


Beardfish - The Sane Day
Miles Davis - Blue Moods & Basic Miles
Frank Zappa - Cruising With Ruben & The Jets
Citta Frontale - El Tor

Kraut a scris:

The Reasoning - Awakening (2007)

G day:
Gravity Tree-Ultimate backward(2005) **-influente Underground Railroad,Bill Pohl,Kurt Rongey ,Hands
Grandbell-The sun and the embryo(1995)
Giardini D'Autunno-Frammenti di idee perdute(2002)**-influente King Crimson,Museo Rosenbach
Gargamel-Watch for the umbles(2006)
**trupe lipsa din Progarchives

(Pete Namlook - Namlook II)

Azi au fost:
A.R. & Machines - Die Grüne Reise (kraut cu elemente de psihedelic, interesant mai ales pentru ca e one man band)
Agitation Free cu un album live (At the Cliffs of River Rhine)
Pearls Before Swine - prog-folk (au un cover destul de reusit dupa Suzanne a lui Cohen)
si Feathers cu albumul omonim din 2006 - recomandare pentru Rico, ca tot i-au placut Espers

P.S.: Am descoperit ca prog-folk-ul merge bine cu mecanica structurilor

Velislav Ivanov - Under Dark Skies (200x)

Karmablue - Acquadanze (2006)

Coltrane-(A) Love Supreme

H day:

azi Tom Waits

mai întîi Early Years şi mai tîrziu Orphans.

Dacă nu adorm mai am de ascultat Book of Angels vol. 11 - Zaebos cu Medesky, Martin şi Wood

Daniel Zamir - I Believe, 2008



Un excelent saxofonist tînăr. Este ceva mai puţin ethno decît albumele precedente.

Daniel Zamir, whose first three CDs for Tzadik contain some of the most passionate and sophisticated blending of Jewish Music and Jazz ever recorded returns to Tzadik after a five-year hiatus in Israel to present his complex musical vision with a dynamic new quartet. Joined by three of the most exciting musicians in the New York Jazz scene, pianist Uri Caine, bassist Greg Cohen and percussionist extraordinaire Joey Baron, Zamir’s music takes on a more mature and spiritual quality. This is New Jewish instrumental music at its very best

Personnel:
Joey Baron: Drums
Uri Caine: Piano
Greg Cohen: Bass
Daniel Zamir: Soprano Saxophone



fotografie de R o n n i e G r o s s


Biography by Joslyn Layne {allmusic.com}

Alto saxophonist Danny Zamir plays modern jazz that draws as much from klezmer as it does from Ornette Coleman. Born circa 1980 in Tel Aviv, Israel, Zamir was drawn to the sound of the saxophone at a young age and began studying the instrument at the age of 12. Hearing Charlie Parker for the first time had a great effect upon him, and from that point on, he focused on music studies. Zamir attended a Tel Aviv high school that specialized in the arts and offered an intensive music program. In addition to the music of Charlie Parker, some of Zamir's early influences include Eric Dolphy, John Coltrane, Ornette Coleman, and Pat Metheny. Zamir formed a trio called Not for Sale and eventually started listening to other musicians, as well. Of those he heard, Zamir was most impressed with saxophonist and experimenter John Zorn. In late 1998, he relocated to N.Y.C., where he met percussionist Kevin Zubek and bassist Shanir Ezra Blumenkranz, with whom he formed SATLAH, as well as well-known N.Y.C. musicians including Zorn. Zamir has also worked occasionally with members of the downtown scene, including Jamaaladeen Tacuma, Marc Ribot, and Calvin Weston. SATLAH's recorded debut includes a guest appearance by Zorn and was released in March 2000 on the Tzadik label. Zamir followed it with I Believe, also on the Tzadik imprint, in 2008.

***ere!

andu a scris:

***ere!

Really?

Zepp-o-manii stiu mai bine, eu ti-am zis ca dupa CD-ul 1 din Psychical Graffiti (care chiar ca e ***ere!), nimic nu m-a mai incantat la fel de mult.

The Third and The Mortal - toate albumele
Borknagar (sunt tot din Norvegia)
In The Woods.... poate ei reprezinta tot ce-a dat mai bun metalul progressive norvegian

H to He a scris:

In The Woods.... poate ei reprezinta tot ce-a dat mai bun metalul progressive norvegian

esti deja a doua persoana de la care aud asta, carevasazica trebuie neaparat sa-i cercetez!

@rico: cantarile sunt din 69-70, aspre rau de tot!

cu mentiunea ca alte trupe precum Ulver, Arcturus si The Third ( sau 3rd) and The Mortal au migrat din zona metalului spre experimente si nu mai pot fi considerate trupe de metal.
(mare pacat ca inafara de Ulver toate celelalte s-au stins)
recomand cu toata culdura coverul la piesa Epitaph de le albumul "Live At The Caledonien Hall" In The Woods! chiar nu-ti poate veni sa crezi ca ei mai canta si black metal!

andu a scris:

H to He a scris:

In The Woods.... poate ei reprezinta tot ce-a dat mai bun metalul progressive norvegian

esti deja a doua persoana de la care aud asta, carevasazica trebuie neaparat sa-i cercetez!

@rico: cantarile sunt din 69-70, aspre rau de tot!

(Blank Manuskript - Tales From An Island)

+ samples din muzica celor de la Jack Dupon.