ce ascultati chiar acum?

Atmosphera - Lady of Shalott- 1977

Ricochet a scris:

Încălzire pentru Poiana Lupului II

Der Abercrombie

- Gateway 2
- Arcade
- M
- Animato
- Tactics
- Cat 'n' Mouse

sa te incalzesti bine acolo ca e frig rau

Wirklich?

Hmm...maxima 27, minima 18. Nu suna foarte rau. La Plai a fost absolut durere.

seara tarziu nu se pune problema de maxima. pe bune acum, sa te pregatesti de dardaieli serioase...

Ricochet a scris:

Încălzire pentru Poiana Lupului II

Der Abercrombie

- Gateway 2
- Arcade
- M
- Animato
- Tactics
- Cat 'n' Mouse

Gateway 2 şi Cat'n'Mouse sînt OK, restul mai puţin (din lista aia). Animato e printre cele mai slabe

Eu aş sugera

Open Land
Third Quartet
November
Night
Timeless
Gateway 1
Gateway - In The Moment / Homecoming
Characters

Le-am ascultat pe toate. Animato este albumul care m-a initiat, inca imi place. Arcade la fel, poate nu "timeless" sau un clasic precum "Gateway", dar e foarte bun.

Oricum

Încălzire pentru Poiana Lupului III (si ultima)

Terje Rypdal

Terje Rypdal 1971
Odyssey 197...4?
After the Rain 1975
Rypdal/Vitous/DeJohnette 1981
Vosabrygg 2006


Rypdal e cel mai interesant dintre cei trei, dar spre deosebire de muzica actuala a lui Molvaer si, sa presupunem, spiritul milenarist al Abercrombie Quartet, nu prea pot sa-mi dau seama care e stilul Rypdal in 2009.

Oricum, cu trei nume ECM fiind teoretic cap de afis in cele trei zile de festival, mi se pare ca n-o sa avem parte de un jazz foarte eclectic (nu ma refer per total, ci din partea unui artist) si exploziv. Molvaer imbina un soi "jazz suave" cu electronic. Abercrombie e cum il stim, "romantic" dar nu virtuoz. Rypdal, cel putin in anii 70, pare sa fi imbinat un jazz meditativ cu ceva bucati de rock, ambient si am auzit si ceva space in debutul din '71.

o recomandare Rico: atentie la Joey Baron, va fi in spatele tobelor la Abercrombie
si o curiozitate de sunet "live" pentru Nik Bartsch

muzicadevest a scris:

o recomandare Rico: atentie la Joey Baron, va fi in spatele tobelor la Abercrombie

Dacă venea şi Feldman ....




Îmi place mult Frisell dar am avut mereu rezerve faţă de albumele lui solo (multe la număr). Întotdeauna i-am apreciat contribuţiile pe albumele altora dar nu am găsit încă un album de-al lui care să-mi placă cu adevărat cap-coadă. Pînă acum cîteva zile  ;D

East/West

Bill Frisell Nonesuch Records (2005)


By Nils Jacobson


Though he's passed through several phases during the last two decades, guitarist Bill Frisell has manifested an uncanny ability to transport listeners across gaps in time, space, and style. His jump-cut playing with Naked City did this in a blunt and abrupt fashion; recordings from his country-tinged period tugged at the very roots of American string music; and his 2003 Nonesuch recording, The Intercontinentals, leapt boldly across international boundaries.

In a similar fashion, the double live set East/West, assembled from recent dates in New York and Oakland, respectively, is a flying carpet all its own. But what is striking is how very effectively the recording accomplishes this feat, given its extended duration and the fact that these sixteen pieces were spliced together from several days' worth of live performances. If nothing else, you have to credit Frisell with consistency—an attribute that also applies to his trio mates, Kenny Wollesen (drums), Tony Scherr (bass on East), and Viktor Krauss (bass on West).

This music displays several uncommon characteristics: it conveys a deep respect for memory, both musical and cultural; it's somewhat pastoral and imbued with a related organic fertility; and it's saturated with resonant tones. Whether the backbeat or the downbeat takes the pole position depends on whether a given piece may be based in rock/blues/country or jazz (almost all the former). Frisell definitely has an ear for dissonance, but he mostly prefers to use it as a spice, rather than a main ingredient.

The West disc has the most coherent flow. It gets off to a comfortably familiar start with "I Heard It Through the Grapevine," then digs deep into driving, rocking blues on the next piece. So far, so good, so American... but then a six-minute slice of mutated West African blues shows up in the form of "Boubacar" just down the road. This ultra-resonant piece works the backbeat in a much more relaxed, meditative fashion.

The ten pieces on East are more fragmentary, though they have their own high points. A timbrally clean take on "The Days of Wine and Roses" takes a little while to get into its groove, but once the rhythm section kicks in, everything starts swinging nicely. Frisell's relatively short phrases have a conversational aspect, making use of irregular spacing and occasional dissonance. The bright fourteen-minute original "Ron Carter" has some nice give-and-take counterpoint. The one and only real low point is the annoying but mercifully brief "Tennessee Flat Top Box," which takes finger-snapping bluegrass straight into a black hole of noise to wrap the disc up.

Depending on your tastes, especially with respect to loops and effects, the backbeat, blues, and country, you'll get more out of some of these pieces than others. But taken as a whole, this is a creative and consistent collection that begs repeated listens and stands with the very best of Frisell's recorded work.

As da un Bill Frisell pentru un Bill Laswell.

Mersi de recomandari.

Ricochet a scris:

As da un Bill Frisell pentru un Bill Laswell.

OK

are şi Laswell tot felul de aiureli, dar are cîteva albume extrem de reuşite



Bill Laswell - Dub Chamber 3,

ROIR records 2000

Bill Laswell: bass, keyboard, beats
Nicky Skopelitis: 6, 12 string guitars, beats, effects
Craig Taborn (tracks 1, 3 and 4): electric piano
Nils Petter Molvaer (tracks 1 and 3): trumpet, effects
Jah Wobble (track 2): bass
Karsh Kale (track 1): tabla, drums

super album - un soi de dub progresiv, dacă vreţi




Bill Laswell & Material

https://www.youtube.com/watch?v=DEJ98IqpT4Y

https://www.youtube.com/watch?v=pPIycuA_uzQ

( Hamid Drake la tobe )

LOL

pe primul link de pe you tube Laswell face linia de bas de la Massive Attack - Safe From Harm, puţin downtempo

https://www.youtube.com/watch?v=m90X0Ub4B2E

sau am eu o vedenie

Şi dacă am sărit de la una la alta în seara asta mă bag la





şi, dacă mă mai ţin balamalele la ora aia,

apropo de Frisell, am fost la un concert de al lui prin noiembrie anul trecut in Budapesta, e putin spus concert, mai degraba live soundtrack: http://www.muzicadevest.ro/psotul-cu-numarul-4/

Well, gents, this is it. Ne auzim dupa.

oooh yeaaaah!!!

foarte fain. kraut cred ca e, dar nu ma pricep.

foarte, foarte misto

da, Vinegar e kraut, imi aminteste de Amon Duul, imi scot si eu Yezda Urfa din colectie, mi-l pun cu mine la munte:) bine ca m-ai scos din criza cu el

finalul "corect" Three Sides Live

In The Cage / Cinema Show / Slippermen (11:52)
Afterglow (5:13)
One For The Vine (11:05)
Fountain Of Slamacis (8:37)
It / Watcher Of The Skies (7:22)

Radiohead - In Rainbows

excelent forum. N-am mai intrat pe aici de cativa ani, adica de cand s-a lansat. Felicitari! Promit sa intru periodic pe aici pt ca am ce invata!
Pana atunci va recomand auditiile mele de azi:

Saint Preux - Odyssey (1986) Rusia
Phideaux - Number 7 (2009) - excelent, la fel ca restul albumelor
Maudlin of the Well - Part The Second (2009)
Devin Townsend Project-"Ki" 2009

Promit sa revin periodic pe acest forum foarte bun!
Dani